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CHAPTER 18 Edge-Lit Holography The small "accessible" zone for reference beam angles results in highly differentiated fringe structure and illumination beam angle of incidence on the fringes for transmission versus reflection holograms. This perception of these two hologram types as being highly distinct is captured in our characterizing model of transmission holograms as a window-imaging system, and reflection holograms as a mirror-filter-imaging system. We will see later in this chapter that edge-lit holography opens up the inaccessible zone and bridges the distinct gap between transmission and reflection holograms. Early work in edge-lit holography focused on penetrating the inaccessible zone by introducing the reference beam through the edge of the substrate glass that supported the emulsion," through use of ... total internal reflection,"' or use of evanescent waves.'" Introducing the reference beam through a medium with an index of refraction closer in value to the emulsion's index, results in reduced refraction at the emulsion interface and steeper reference beam angles within the emulsion. The theme of introducing the reference beam through the bottom edge of a glass layer supporting the emulsion was picked up by Juris Upatnieks (1992)," who applied this geometry to the recording of holographic optical elements for use in compact heads-up displays. Upatnieks introduced his reference and illumination beams through the bottom edge of a thicker glass plate to which the hologram's glass substrate was optically coupled, thus using the thicker glass block as a wave guide. This glass block as wave guide became the principal tool in the development of edge-lit display holograms. We'll start our consideration of edge-lit holograms by looking at the recording geometries of several types of edge-lit holograms.

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3. In the New Style dialog box, choose Redefine HTML Tag, and in the Tag drop-down list, select Body. These selections create a background image for the entire document. You can also select a different tag or choose the Make a Custom Style option to assign a background image to a single element on the page, such as a table cell or paragraph. 4. Specify whether you want to save the style definition in an external style sheet or in the current document, and then click OK. 5. In the CSS Style Definition dialog box, select the Background category. 6. In the Background Image field, type the path and filename for the image file, or click Browse to navigate to the file. 7. Designate any other background options, and then click OK.

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Sometimes, you need to adjust the path that makes up the area of the area type for example, when you scale a path up or down so that the text flows better. The trick here is to ensure that you select the entire path without selecting any of the characters. To do this, deselect the type and then select the path with the Group Selection tool (the hollow [white] arrow with the + sign).

11-7

In this exercise, you create a simple form using a few of the standard UI components. You then use ActionScript to apply style changes to the components some global, some as a class style object, some as a custom style object applied to a component instance, and one directly on a component instance. 1. Open a new Flash document, and save it as applyingStyles001.fla. 2. Open the Components panel, and drag one instance each of the following components onto the stage: ComboBox, List, and Button. Name these instances ccbRegion, clProducts, and cbtSubmit, respectively. 3. Drag two instances of the Label component onto the stage, naming them clblRegion and clblProducts. 4. Arrange the instances on the stage as shown in Figure 29-1, with clblRegion matching up with ccbRegion, and clblProducts matching up with clProducts.

myResponder.token = myService.getContacts();

Figure 20-4: Digital video such as this clip from Artbeats.com can add a thrilling bit of dash to your Web pages.

Filter Selection The selection of the optimal lter depends on both the characteristics of the data and on the user s personal preference. In general, a highpass lter is better suited for higher count data, whereas a low-pass or smoothing lter is better for data containing a small number of counts. With respect to preference, some users like smoother, less-detailed images; others are willing to tolerate the grainy appearance following the use of a high-pass lter in order to retain the ner details of the signal data.

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